City of Clay
SMUVYART
Poetry
Originally Published: 19 December 2025
Ancestral Wi-Fi
The air is thick with signals,
not of towers or satellites
but of bones whispering beneath the soil.
Grandmother’s lullaby
still pings in my chest—
her voice a password
that unlocks the silence of night.
I scroll through memory,
each scar a hyperlink,
each dance a download
from the ancestors.
Who needs the cloud
when the sky itself
remembers our names?
Weaving the River
At dawn, the women carry buckets
and laughter down to the stream.
The water learns their rhythm—
hips swaying, feet humming against earth.
Each step braids
yesterday to tomorrow,
like kente woven on a loom of dust.
The river does not rush,
it listens.
It takes every story home,
salty, sweet, and untranslatable,
pouring it into the ocean’s open mouth.
City of Clay
This city was molded by hands unseen—
clay pots stacked into skylines,
market stalls breathing like drums.
Children chalk the pavements
with dreams of galaxies,
their chalk dust rising
like prayers refused to be quiet.
Even in the concrete,
the soil insists on returning—
a weed, a flower,
a rebellion of green.
We are the clay,
softened by rain,
hardened by fire,
shaped again and again
into tomorrow.
About the Poetry
These poems explore continuity between past and present, grounding modern life in ancestral memory, communal ritual, and the resilience of place. Blending the language of technology, nature, and craft, the poetry reimagines inheritance as something living—carried in bodies, rivers, cities, and soil. Each piece listens for what endures beneath change, affirming identity as something shaped collectively, repeatedly, and with care.
The Creative

SMUVYART
Lekgotla John Jr Molefhe is an architect, artist, and writer from Botswana. His creative practice explores intersections between space, memory, and cultural identity. Through poetry and art, he seeks to reimagine African narratives, blending tradition and modernity in ways that resonate across generations.