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The Unfinished Rondavel and Anatomy of Devotion

Unattendedthoughts

Poetry 

Originally Published: 10 July 2026

The Unfinished Rondavel

I am the red dust

that refuses to settle

on the polished floor of this parlor.

 

My mother spends her Sundays

scrubbing the thresholds,

trying to wash away

the scent of my questions

before the elders arrive.

She thinks if the brass is bright enough,

no one will notice

the cracks in the foundation

where we buried the truth

and called it “Respect.”

 

I am the only one at this feast

who knows that a wall

is just a fist made of mud and water.

 

They sit in a circle of ancestors,

pouring libations for men

who died holding secrets

tighter than they held their children.

I am the stutter in the praise poem.

The line that won't rhyme

with “Everything is fine.”

 

In this house,

“Family” is a heavy wool blanket

we use to smother the fire

whenever it starts to speak.

They tell me I am “lost”

because I have traded my silence

for a drum.

 

They want me to be a brick—

baked hard,

rectangular,

stackable.

They want me to disappear

into the masonry of their “Legacy.”

 

But I am the lightning

that remembers

the tree before it was a roof beam.

I am not the “shame” of the lineage.

I am the Exorcist.

 

I am the one

who realises that a “Good Name”

is often just a shroud

for a very loud ghost.

 

So let them keep their tea

and their ironed shirts.

I will stay out here

in the tall grass,

building a kraal

where the gates stay open,

and the only thing we worship

is the honesty

of the wind.

Anatomy of Devotion

I carry you like a blade beneath my ribs,

turning me inward, a quiet violence no one sees.

Every pulse is an echo of the cruelty and devotion I cannot name,

a heat that burns both body and soul.

 

I have loved in ways that crush me,

tenderness that feels like punishment,

and desire that sears with a dread I cannot escape.

It is a love that asks everything,

takes everything,

and leaves me raw in the hollow where I thought I stood.

 

I remember the sweetness that became a weapon,

the softest whisper cutting deeper than the loudest scream.

To love like this is to dwell in a storm

where the thunder is inside me,

and I am both the cloud and the lightning.

 

I ache for the intimacy that scorched me,

for the hands that held me only to wound,

for the mouth that promised life but delivered fire.

And still, I do not turn away,

for to turn away is to betray the godlike cruelty of loving,

to deny the unbearable grace of this anguish.

 

Love in its action is a harsh cathedral,

its altars lined with the bodies of our own hearts.

I kneel, I burn, I bleed into the memory of you,

and still, I rise again,

because even in the ruin, there is a devotion I cannot abandon,

a heat that neither time nor pain can extinguish.

 

I am the architect of my own haunting,

rebuilding the walls just to watch them fall again.

I do not seek a cure for this fever;

to be healed would be to forget the shape of your shadow,

and I would rather be broken and known by you

than whole and forgotten by the world.

 

So let the embers stay bright in the marrow.

Let the wound remain an open mouth,

singing the only hymn I have left to give.

For if love is a fire that consumes the house,

I will sit amidst the ash and call it home.

About the Poems 

The Unfinished Rondavel explores generational silence, cultural inheritance, and the tension between tradition and selfhood within a domestic African space. It examines how respectability, “family legacy,” and ancestral reverence can conceal buried truths and emotional repression. The speaker positions themselves as both witness and disruptor, resisting the expectation to conform to silence, obedience, and social performance. Domestic rituals become acts of erasure, while the speaker’s voice becomes an act of rebellion. Ultimately, the poem is a meditation on identity, cultural fracture, and the refusal to be shaped into inherited silence.

 

Anatomy of Devotion is a deeply intimate exploration of consuming, almost destructive love, where devotion and pain are inseparable. It frames love as both sacred and violent, using bodily, religious, and architectural imagery to express emotional dependency and longing. They are caught in a cycle of attachment that wounds even as it sustains, portraying love as an experience of surrender, ruin, and return. It vets the paradox of choosing emotional intensity over peace, suggesting that even in harm, there is meaning and identity. Ultimately, it is a meditation on obsession, devotion, and the cost of loving too deeply.

The Creative

Zoleka Gaone Stephen Photograph.jpg

UNATTENDEDTHOUGHTS

UnattendedThoughts is a Botswana-based poet. Her work draws on themes of emotion, identity, and human connection, often blending introspective lyricism with vivid metaphor and performance sensibility. She is interested in the intersections between psyche, and lived experience, using poetry as a space for reflection and emotional precision. She is developing a practice in creative writing and performance, with a focus on work that is both intimate and rhythmically expressive.

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